Chương-Đài Võ

Chương-Đài Võ is a researcher, writer and curator based in Paris. She is Curator, Africa-Asia Festival, International Institute for Asian Studies, Leiden, The Netherlands. She is co-editor with Charles Esche of a forthcoming book about the Van Abbemuseum's efforts to "demodernize" its collection and programming approaches. Chương-Đài is also part of a curatorial team that will organize an exhibition at Asian Art Museum, San Francisco, on contemporary art in Vietnam and its diasporas. She is a member of the advisory board on Southeast Asia for Flow of History, a research program led by AWARE (Archives of Women Artists, Research and Exhibitions) in collaboration with Asia Art Archive.

Joshua I. Cohen

Joshua I. Cohen is Associate Professor in the Department of Art and Art History at Stanford University. He is the author of The “Black Art” Renaissance: African Sculpture and Modernism across Continents (University of California Press, 2020), and co-editor of a special issue of ARTMargins (2023) devoted to Art History, Postcolonialism, and the Global Turn. His current book project, Art of the Opaque: African Modernism, Decolonization, and the Global Cold War, analyzes transnational African modernist practices in the context of France’s colonial empire transitioning into a capitalist-imperialist sphere of influence. faculty profile page: https://art.stanford.edu/people/joshua-i-cohen

Dr. Michele Greet

Dr. Michele Greet is Professor of modern Latin American art history at George Mason University and Director of the Art History program. She is author of Transatlantic Encounters: Latin American Artists in Paris between the Wars, 1918-1939 (Yale University Press: 2018) and Beyond National Identity: Pictorial Indigenism as a Modernist Strategy in Andean Art, 1920-1960 (Penn State University Press: 2009). She is co-editor, with Gina McDaniel Tarver, of the anthology Art Museums of Latin America: Structuring Representation (Routledge: 2018). She has written exhibition catalogue essays on modern Latin American art for MoMA (New York), Fundación Juan March (Madrid), Museu de Arte de São Paulo, El Museo del Palacio de Bellas Artes (Mexico City), Los Angeles County Museum of Art, and El Museo del Barrio (New York). She is currently working on a book entitled Abstraction in the Andes, 1950-1970 with the support of a National Endowment for the Humanities fellowship. Websites: https://historyarthistory.gmu.edu/people/mgreet https://transatlanticencounters.rrchnm.org/

Sarah Turner

Sarah Turner is Director of the Paul Mellon Centre for Studies in British Art in London, which is part of Yale University. She is Editor-in-Chief of the award-winning, open-access journal British Art Studies (since its founding in 2015). She has published widely and co-curated several major exhibitions, most recently Making New Worlds: Li Yuan-chia & Friends at Kettle’s Yard, and much of her academic writing has focused on the entangled relationships between Britain, the British Empire and South Asia. A full list of Sarah’s publications, exhibitions and projects can be found at https://www.paul-mellon-centre.ac.uk/about/sarah-victoria-turner<

Susan Collins

Susan Collins is an artist who works in response to specific sites and situations employing transmission, networking and time as primary materials. Key works include Tate in Space, Tate Online (2002); Underglow (2005-6), a network of illuminated drains, and Brighter Later (2013), a light installation choreographed by live weather data. Since 2002 she has investigated the relationship of time to place and landscape through an ongoing series of years-long pixel-by-pixel internet transmissions from remote locations. Collins is Professor Emerita at the Slade School of Fine Art, UCL where she was Slade Professor and Director (2010-18) during which time she established the Slade Archive Project 2011-. http://www.susan-collins.net

Eva Bentcheva

Eva Bentcheva is an art historian and curator. Her work focuses on histories of participatory art and archives between Europe and South/Southeast Asia. She is Managing Editor for the international research project 'Worlding Public Cultures: The Arts and Social Innovation' at Heidelberg University. In 2018, she completed her Ph.D. in Art History at the School of Oriental and African Studies (SOAS), University of London, on ‘The Cultural Politics of British South Asian Performance Art, 1960s to the Present’. She has held research and curatorial positions at the Tate Research Centre: Asia in London, Haus der Kunst in Munich and the Paul Mellon Centre for Studies in British Art. https://hausderkunst.academia.edu/EvaBentcheva

Dr Liz Bruchet

Dr Liz Bruchet is a researcher, archive curator and oral historian. Previously Senior Lecturer, Archival Studies, UCL (2020-2023), she is currently Honorary Research Fellow at the Slade School of Fine Art. Her research focuses on the intersections of creative, curatorial and archival practices; the records of artists and visual arts organisations; and transnational histories of the Slade. Publications include "Slade, London, Asia: Contrapuntal Histories between Imperialism and Decolonization 1945–1989 (Part 1)" (British Art Studies, July 2021), co-authored with Ming Tiampo; and “Archival finding aids and perceptual frames”, in The Materiality of the Archive: Creative Practice in Context (Routledge, 2023). UCL profile page: https://profiles.ucl.ac.uk/15317-liz-bruchet/publications